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His comic timing is impeccable, and he manages plenty of laughs with his straight face and (occasional) accent. He occupies pretty much 95 per cent of the film, carries it on his very capable shoulders and adds plenty of panache and style to the proceedings. And he's Superman here, in every sense of the word. The veterans add some lustre to the proceedings whenever the screenplay takes a nose dive (which happens a lot).įor Mahesh, the role is pretty much a cake-walk. In the midst of all this arrive Brahmanandham, playing an acting-obsessed house-owner, and M S Narayana, who delivers a hilarious spoof that sends the audience into splits. All this makes for plenty of stylish shoot-outs, much swaggering about in stylish shades, belting out punchy dialogues and energetically choreographed songs to boot.
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And Ajay begins some complicated manoeuvres, trying to take care of a father whose health is precarious by setting up a double identity of sorts, and making headway in catching criminals as well.
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In the meantime, Shankar Narayan, who has been in a coma, wakes up. And where Ajay also runs into his would-be beloved, Prashanti (Samantha Ruth Prabhu), whose arrival is predicted by friend M S Shastry's ( Vennela Kishore) grandmother. His investigation takes him and his friends all the way to picturesque Istanbul (courtesy K V Guhan's beautiful camera-work), where they stake out the villain's movements. Ajay Kumar, IPS (Mahesh Babu) is hot on the trail of the king-pin Don Nayar (Sonu Sood). In addition to being a do-gooder, he is also very fond of his son, but fate intervenes and Shankar Narayan meets with a gory accident.Įnter the dashing hero, after the requisite number of years, grown-up, impeccably dressed in casual wear and beating up goons. For the first hour anyway, you're too mesmerised by the flashback in sepia tones, which shows Shankar Narayan (Prakashraj) a much-loved politician, make plenty of enemies (Kota Sreenivasa Rao, Shayaji Shinde and co).